Isabel Toledo Dies at 59; Designed Michelle Obama’s Inaugural Outfit

Isabel Toledo, the Cuban-American designer who was revered by different designers for her capability to mix exact geometric development with excessive grace — however who was identified to a lot of the public because the creator of the gown Michelle Obama wore within the 2009 inaugural parade — died on Monday at a hospital in Manhattan. She was 59.

The trigger was breast most cancers, her husband, the artist Ruben Toledo, stated.

“I knew that what I wore to my husband’s first inauguration would go down in history,” Mrs. Obama wrote in an e mail, “so I wished one thing that will not solely dwell up-to-the-minute, however would additionally stand as much as the freezing chilly of that January day.

“With her unimaginable creativity and masterful expertise, Isabel designed an attractive lemongrass outfit that I simply beloved,” she continued. “She more than met the moment — for that day and for all of history.”

Uninterested within the limelight or in logos, Ms. Toledo was a rarity within the trendy style world. Devoted to style as a craft and an expression of self and embedded within the Downtown New York artwork scene, she was a throwback to a time earlier than the designer grew to become the inventive director. She toiled away in a picturesque loft in Midtown Manhattan with Mr. Toledo, her associate since highschool, dipping into the worlds of artwork, dance and theater for the sheer pleasure of aesthetic collaboration. They frolicked with Andy Warhol, Jean-Michel Basquiat and the like.

Maria Isabel Izquierdo was born on April 9, 1960, in Camajuani, Cuba, to Felix and Bertha Izquierdo. She began sewing at age 8 because, she told CNN, “I couldn’t find anything I loved.”

She emigrated with her parents and two sisters to the United States, and in 1968 the family settled in West New York, N.J., where she met Mr. Toledo. She was 14 and he was 13. (His family was also from Cuba; they were in the same Spanish class in school.)

She attended the Fashion Institute of Technology and later transferred to Parsons School of Design. She left in 1979 before graduation to intern for Diana Vreeland at the Costume Institute of the Metropolitan Museum of Art.

She and Mr. Toledo married in 1984 and were almost never apart, seeming to have the kind of transcendent love story reserved for Hollywood movies and sharing a look that made them seem as if they had just emerged from a vaudeville show drawn by Edward Gorey. Mr. Toledo survives her, along with her sisters, Mary Santos and Anna Bertha Izquierdo.

Also in 1984, Ms. Toledo introduced her own line. Its first appearance was at a Danceteria happening, thanks to the artist Joey Arias, a good friend who ran the events. Though she became an official part of New York Fashion Week in 1985 and her pieces were soon picked up by Barneys New York, Colette in Paris, Joyce in Hong Kong and Ikram in Chicago, among others, she never lost her affinity for the raw edge.

She also remained at the head of an independent company, based a few floors below the couple’s home, which was a constantly mutating space crammed with plants, objects and ideas in progress, where the line between work and invention entirely disappeared.

“Isabel was a pure, uncorrupted fashion designer,” said Ikram Goldman, the founder of Ikram, who introduced Mrs. Obama to Ms. Toledo’s work. “She designed spectacular, innovative pieces that flattered every curve of a woman’s body, and she never conformed to or accepted the ‘fashion system.’”

Though that choice may have hurt Ms. Toledo’s business in later years, as fashion globalized and commodified — she stopped showing on the runway around the turn of the millennium when the cost became prohibitive — it also allowed her to follow her own muse. In doing so, she influenced a generation of designers.

“As Picasso said, good designers don’t copy — they steal,” said the designer Alber Elbaz, the former creative director of Lanvin. “Everybody sort of stole from Isabel. Her work was about volume, cut, experiments, a laboratory of fabric — and that was not an Instagram moment. It was fashion.”

By 2009, when Mrs. Obama chose a Toledo dress and matching coat to wear for her husband’s historic inauguration — a dress that was widely heralded as a triumph, and that helped frame the first lady’s signature use of her position to promote smaller American designers and celebrate the melting pot of America — it seemed the world had finally recognized Ms. Toledo’s gift.

In 2012 she published her autobiography, “Roots of Style: Weaving Together Life, Love, and Fashion.” The illustrations were by Mr. Toledo, of course.

“She was often marginalized by the trend-loving fashion business, but she never looked sideways,” Ms. Hastreiter wrote in an email. But, she said, “her rare gift of combining great design for all women (no matter economic class, shape and size) with flawless craft and astounding original creative beauty” meant that “Isabel Toledo will be in the history books.”

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