Holiday Movies 2019: Here’s What’s Coming Soon to Theaters


Here is a extremely choose checklist of noteworthy movies due out this season. Release dates are topic to change and mirror the newest info as of deadline.

MARRIAGE STORY Noah Baumbach has already received the hearts of critics for this tragicomedy about spouses — a theater director (Adam Driver) and his longtime star (Scarlett Johansson) — whose plan for a pleasant divorce runs, by means of no specific fault of both one, into embittering problems. Laura Dern, Alan Alda and Ray Liotta play legal professionals with agendas of their very own. Azhy Robertson performs the couple’s son.

THE ALL-AMERICANS This documentary about 4 pupil soccer gamers in East Los Angeles displays on problems with id in America because it captures the run-up to an enormous recreation.

DANGER CLOSE The “Collateral” screenwriter Stuart Beattie scripted this account of the 1966 Battle of Long Tan, when a regiment of the Australian Army was cornered by much more quite a few North Vietnamese and Vietcong forces in a rubber plantation in South Vietnam.

KLAUS That’s Klaus as in Santa Claus. In this animated feature, Jason Schwartzman lends his voice to a postman who’s transferred to somewhere in the vicinity of the North Pole and meets St. Nick (J.K. Simmons).

LAST CHRISTMAS The filmmakers had an idea for a surprising movie, but the very next day — or rather, in the trailer — they gave it away. (Seriously, don’t watch the trailer: It reveals too much.) Emilia Clarke plays a woman working as a Christmas shop elf in London who meets cute with a mysterious man (Henry Golding). The film was inspired by the song “Last Christmas” and features the music of George Michael throughout. Emma Thompson and Bryony Kimmings wrote the script, from which Paul Feig directed.

THE HOTTEST AUGUST The weather is just one subject on the mind of the Canadian filmmaker Brett Story in this essay documentary, filmed in New York in 2017. It ponders not only climate change, but also changes in the politics and social landscape of the United States.

I LOST MY BODY A sleeper at Cannes Critics’ Week this year, Jérémy Clapin’s animated feature arrives on the theoretically more prominent showcase of Netflix. A severed hand goes on a journey to reunite with the body it belongs to.

NO SAFE SPACES The comedian Adam Carolla and the conservative pundit Dennis Prager argue that the concept of “safe spaces” is antithetical to free speech. Interviewees include the conservative commentator Ben Shapiro, the psychologist Jordan Peterson, the professor and activist Cornel West and the lawyer Alan M. Dershowitz.

RECORDER: THE MARION STOKES PROJECT You’ve heard of outsider artists, but what about an outsider archivist? Marion Stokes is said to have recorded television for 24 hours a day for more than three decades, leaving behind a videotape library of American life that Matt Wolf’s documentary is able to draw on.

KNIVES OUT The death of a wealthy mystery-book author (Christopher Plummer) — by suicide, it seems (or is it?) — is teased apart by a Southern sleuth (Daniel Craig) in the director Rian Johnson’s cunningly plotted tip of the hat to Agatha Christie. Lakeith Stanfield is with the police; Ana de Armas, Chris Evans, Jamie Lee Curtis and Michael Shannon are among the many-motived suspects.

QUEEN & SLIM Daniel Kaluuya and Jodie Turner-Smith play what the trailer describes as “the black Bonnie and Clyde” after Kaluuya’s character kills a police officer in self-defense. Viral video makes them famous while they’re on the lam. Lena Waithe wrote the screenplay. Melina Matsoukas, who has made music videos for Beyoncé and Rihanna, directed.

63 UP The director Michael Apted is himself getting up in years, but his seven-year check-ins with his subjects — first seen as schoolchildren in the 1964 television documentary “Seven Up” — are a tradition that you hope will see a few more multiples.

THE TWO POPES Anthony Hopkins plays Pope Benedict XVI, and Jonathan Pryce plays the future Pope Francis in 2012. In the movie, the two men work to reconcile their different views of the future of the Catholic Church. Fernando Meirelles directed from a screenplay by Anthony McCarten (“Bohemian Rhapsody”).

THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN Two women from indigenous cultures are brought together in East Vancouver, Canada, when one escapes domestic abuse.

FEAST OF THE EPIPHANY The filmmakers and journalists Michael Koresky, Jeff Reichert and Farihah Zaman directed this highly experimental feature, which begins with a dinner gathering and heads in an unexpected direction.

TEMBLORES A man sends shock waves through his evangelical family in Guatemala when he comes out as gay. Jayro Bustamante, whose “Ixcanul” had a following on the festival circuit, directed.

WHITE SNAKE This Chinese animated feature — in which an amnesiac woman and a snake catcher work to suss out who she is — is said to have been created as a prequel to a well-known Chinese legend.

XIMEI After contracting H.I.V. from a government initiative that involved contaminated equipment for blood donations, an activist from rural China becomes an advocate for those who suffered the same fate in this documentary. The artist Ai Weiwei, a familiar figure from documentaries (“Human Flow”), is an executive producer.

THE AERONAUTS Felicity Jones and Eddie Redmayne set out to fly higher than anyone else ever has. It’s the 19th century, and their mode of transportation is a hot-air balloon. Tom Harper directed this reteaming of the stars of “The Theory of Everything” (for which Redmayne won an Oscar, and Jones was nominated).

KNIVES AND SKIN Jennifer Reeder directed what sounds like an extremely Lynchian coming-of-age film in which a teenage girl’s disappearance brings a town’s secrets to the surface.

WHEN LAMBS BECOME LIONS Two cousins on opposite sides of the ivory trade in Kenya — a dealer and a ranger who is permitted to use violence to halt poaching — are followed over three years in this documentary.

THE WOLF HOUR Naomi Watts plays a shut-in author holed up in a Bronx apartment — the setting for almost the entire film — during the summer of 1977, when New York contended with a blackout and the Son of Sam. Alistair Banks Griffin directed.

BLACK CHRISTMAS Sophia Takal directed (and wrote, with the film critic April Wolfe) this second remake of Bob Clark’s 1974 Canadian slasher-film standard. A sorority is terrorized; Imogen Poots leads the cast.

BOMBSHELL It’s hard to overstate the degree to which Charlize Theron looks like Megyn Kelly in the trailer for this portrait of the culture of sexual harassment that pervaded Fox News during the reign of Roger Ailes (John Lithgow). Margot Robbie also stars. Jay Roach, who did similar dramatizations in the HBO movies “Game Change” and “Recount,” directed.

CUNNINGHAM Earlier this year, the documentary “If the Dancer Dances” suggested that video, by virtue of being in two dimensions, was limited in its ability to capture Merce Cunningham’s choreography. It’s fortunate, then, that his centennial year closes out with a documentary that’s in 3-D, and that — through a combination of archival footage and contemporary stagings for the screen — showcases the breadth of Cunningham’s career. Alla Kovgan directed.

SEBERG Kristen Stewart received good reviews at the Venice Film Festival in the summer for her turn as the “Breathless” actress Jean Seberg (1938-79). This account covers the period when she was the object of an F.B.I. smear intended to undermine her support of the Black Panther Party. Anthony Mackie plays the writer and activist Hakim Jamal. Benedict Andrews directed.

6 UNDERGROUND Does any director love blowing stuff up as much as Michael Bay? More to the point, if even the architect of the “Transformers” franchise has now made a feature for Netflix, does the concept of “big-screen entertainment” mean anything anymore? Ryan Reynolds stars as the head of a team of operatives who wipe out all traces of their pasts to complete their work.

UNCUT GEMS Adam Sandler stars as a diamond dealer and inveterate gambler whose latest impulsive scheme — it involves lending a gem-studded rock to Kevin Garnett (who plays a version of himself during his N.B.A. career) — is just one more card in a house that is dangerously close to collapsing. The brothers Josh and Benny Safdie directed with their customary flair for grungy New York color and tense, escalating absurdity.

CATS The “Les Misérables” director Tom Hooper uses the latest in what a promotional video calls “digital fur technology” to transform Jennifer Hudson, Taylor Swift, Judi Dench and many others into Andrew Lloyd Webber’s singing kitties. The trailer has already been widely mocked, but to quote Rum Tum Tugger, there’s “no doing anything abowwowtit.” Swift and Lloyd Webber wrote an original song for the film.

1917 Sam Mendes directs his version of an old-fashioned war epic with this story of a pair of British soldiers (George MacKay and Dean-Charles Chapman) during World War I. Their assignment: To deliver a message calling off an attack that would, if executed, lead to a battalion’s slaughter. There is a twist: Mendes and his cinematographer, Roger Deakins, have reportedly designed the movie to appear as if it unfolds in one continuous shot. With Benedict Cumberbatch.

THE SONG OF NAMES The fates of two children are intertwined when a Polish Jewish boy moves in with a British family at the start of World War II. As an adult, he disappears, and his surrogate brother (Tim Roth) searches for him. Clive Owen also stars. François Girard directed.

SPIES IN DISGUISE In this animated feature, Will Smith provides the voice of a secret agent who is transformed by his colleague (Tom Holland), a scientist, into a pigeon, because that’s an easy way for him to go undetected. With Rashida Jones.

WHAT SHE SAID: THE ART OF PAULINE KAEL The legacy of the longtime New Yorker film critic is celebrated and debated in this documentary, which features interviews with acolytes and a handful of directors. Rob Garver directed.

CLEMENCY The director Chinonye Chukwu won the top prize at Sundance for this character study of a prison warden (Alfre Woodard) who has been hollowed out by her work. The movie follows her after a botched execution as she prepares to administer the death penalty to another inmate (Aldis Hodge).

Listings compiled with the assistance of Lauren Messman.



Source link Nytimes.com

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